Bleh with Barry

Random with a cynical twist of lime.

Posts Tagged ‘Ruthie Henshall

Why Watching an Anniversary Concert DVD Does not Make You an Expert

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By Photo: Andreas Praefcke (own photograph) [Public domain], via Wikimedia Commons

As all of you know, I am a kind of a YouTube fanatic, but moreover, you all know that the comments / reviews on performance, literary, or artistic items unnerve me when they do certain things (“Commenting on Things: What You Should and Should Not Do“). However, most recently, I have been watching clips from Andrew Lloyd Webber’s The Phantom of the Opera and Claude-Michel Schönberg’s Les Miserables from varying performances. In the comment sections, I have found people attacking other performers based upon their watching of the 25th Anniversary Cast DVDs of both musicals and think that they are the quintessential casts and performances. While I don’t necessarily have a problem with either cast (besides that Jonas kid as Marius… because he’s wimpy compared to the rest of the cast), I think that it is entirely unfair to demonize another performance based upon the ideology that you liked another performer better, but moreover, I also think that it’s terrible to attack a performer simply because you say they’re terrible… Tell us why they’re terrible for heaven’s sake.

The biggest example of this comes when people are comparing Lea Salonga’s performance of Fantine (25th Anniversary of Les Mis) or Eponine  (10th Anniversary) to the others that have played these roles and simply saying that they suck in comparison to her.  While I have no objections to Lea Salonga per say,  I do think that there are things that she does that are technically wrong. For instance, she spreads every vowel to the point that tight vowels are distorted by the overall stretched position of her mouth. (If you notice, I pointed out a flaw that is easily detectable… not just “Fuck no Lea Salonga is Fucking awfel”… spelling errors added for emphasis). However, I still believe that Lea Salonga is a good performer in her own right. Still, I don’t necessarily think that she’s the best performer for particular roles (Fantine is one thing that I just am not a fan of her in because her voice doesn’t convey the emotion that I think it should… to me it comes off as I’m trying to be sad and emotional but never really arrives at either).  Ms. Salonga is good in many things, but I just don’t think that this is the best performance of her (I like her better as Eponine).

This brings me to the main point of this post. I understand that people love the anniversary concerts of both franchises. Honestly, the 25th Anniversary Phantom might be my favorite filmed musical production. I also like a lot about the Les Mis 25th Anniversary (Ramin Karimloo and Hadley Fraser are awesome… and so is Samantha Banks… others are too). However, I think that you create a flawed perception for yourself if you think that a DVD cast is the end all be all and don’t give anyone else another chance at all. I find nothing wrong with valuing one person’s performance over another. My biggest qualm lies with those that attack other people and other performances simply because they think that one person is better. This is why I say that watching that 25th Anniversary does not make you the expert on the whole of the musical or anything else for that matter. Believe me. There are others out there that know a lot more than you about whatever it is that you’re writing about, and most of them will allow you to have a valid point in an argument as long as it doesn’t turn into the “Nuh-uh she sucks!” type of statement.

Also, (this is connected to the previous paragraph, but I wanted to break here), don’t spread slander about an actor / actress / performer / writer just to do it.  For example, this comment came from a Les Mis video with Ruthie Henshall:

“This DOMESTIC STARLET CAREERLESS HAS-BEEN (thank you, Arch) is terribly miscast for this role. She has the ugliest voice ever of any Fantine, she can’t hit the notes, and she can’t act. The overarated Ruthie Henshall should not be cast in anything!”

Why was this necessary? Additionally, I have seen the “Domestic Starlet Careerless Has-Been” quoted often and wonder who said it first. This does not make you appear knowledgeable… it just makes you look ignorant and hateful (also without citing your source, it makes you look like a plagiarist or that you’re ashamed of your source… all I’m saying). Additionally, please don’t mark everything as SPAM if it doesn’t agree with your opinion. That’s even more childish than the “Nuh-Uh” comments in my opinion. If you can’t have a rationale and civil debate, don’t hide what others say… GAH!!!

Sorry… I’m done with my rant now… I feel a little better about life, and hopefully, others who do these rude things simply because they can hide behind the anonymity of the internet can take something from this… So in closing, I leave you with a few of the videos that started this rant. If you want more examples of the comments that people make, just look in the comment sections on these vids… So yeah…

The first is the Ruthie Henshall version from the 10th Anniversary concert of Les Mis. Personally, this is my favorite and is the one that started the purpose of this post… I feel like she shows a great deal of emotion in the song and performance, which is limited by the concert setting mind you. Enjoy!

The second is the Lea Salonga video that also caused this post. While I’m not a huge fan of Salonga’s Fantine, I think that there are some things that are wonderful about her performance as well. I just watch her and feel that her technique is flawed because of the vowel spreading… I also think that she doesn’t sound like a woman who has been through all that Fantine has… (and she’s had it hard).

The third is form the original West End performer of the role Patti Lupone. While it’s in a concert setting (because the original show was in a time before bootlegging shows in the theater was more difficult… think of the 80s video cameras…), I think that it’s obvious why a lot of individuals believe her to be pretty awesome (I love Patti…).

I’m even including Susan Boyle’s version of the song, which many persons may know… Although I am impressed by her vocal ability as a relative unknown flying into stardom and her raw talent, I also think that it’s unfair to compare her to the Broadway and West End greats that have performed this song. She’s good, but she has a lot of little flaws throughout the performance (timing, vowel sound, counting) that make it weaker to me. Good performance overall.

Matter of factly, even Glee has done it with Idina Menzel and Lea Michelle performing. Auto-tuned performances aside because of the nature of television, it’s pretty good overall… just not my cup of tea.

I could give you more and more of these performance, but I’m going to end here. But my PSA of the day would be that you (and I know that I’m writing toward a niche) should give other performances and artistry a chance before you judge something as terrible simply because it’s not what you’re familiar with or what you fell in love with to begin with… There you go.

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Christmas Songs: Favorites, Classics, and a Twist

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One of my favorite parts of Christmas is the music. There’s something about multiple songs that a majority of people know that will get me into the spirit. Maybe it’s because it’s the closest thing to a musical I can get…hmmmm…..Anyway, I’m going to share a few of my favorite Christmas Songs from some artists that I love. So, here you go.

1) “Do You Hear What I Hear”–To me this song is wonderful because of the innocent tone that it has as we progress from words that are spoken by the night wind to the king. That and the melody make it so beautiful and simple. This version is recorded by Kristin Chenoweth, one of my favorite Broadway singers…All I can say is that it’s wonderful.

2) “I Believe”–Released on Andrea Bocelli’s Christmas Album, this song is beautifully sung by both Bocelli and Katherine Jenkins. It’s a song of hope and love that is simple and powerful. While it was released on a Christmas album, I think that it’s an anytime song.

3) “The First Noel / Mary, Mary” –Sung by Sarah McLachlan. A beautiful, interesting version of the two songs…I discovered it when I was looking for the other two videos. Enjoy.

4) “Silent Night”–A little different from the version we normally hear. However, still beautiful with Ruthie Henshall singing lead on it. Also, a refreshing change from the one that we are accustomed too.

5) “12 Days of Christmas”–While the original song is a little repetitive, this version by Straight No Chaser is quite fun. I would recommend listening to it and seeing for yourself…but let’s just say if you know 80’s pop songs you’ll definitely get  a kick out of it.

So, there you have it. A few songs to help you get into the Christmas spirit. I know that while I’ve been searching out the videos it has definitely got me into the mood for Christmas. 🙂

Good Songs: Ruthie Henshall –“As if We Never Said Goodbye”

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So, I’m writing this post simply because I was perusing youtube and found this video. The song is from the Sunset Boulevard musical by Andrew Lloyd Webber. It is performed by Ruthie Henshall who is a mezzo-soprano of the highest quality. She has been involved with musicals such as Chicago, Les Miserables,  and many more…but I’m going to cut this post short and let the video and lyrics speak for themselves.

“As if We Never Said Goodbye” from Stlyrics.com

I don’t know why I’m frightened
I know my way around here
The cardboard trees, the painted seas, the sound here…
Yes, a world to rediscover
But I ‘m not in any hurry
And I need a moment

The whispered conversations in overcrowded hallways
The atmosphere as thrilling here as always
Feel the early morning madness
Feel the magic in the making
Why, everything’s as if we never said goodbye

I’ve spent so many mornings just trying to resist you
I’m trembling now, you can’t know how I’ve missed you
Missed the fairy tale adventure
In this ever spinning playground
We were young together

I’m coming out of make-up
The lights already burning
Not long until the cameras will start turning…
And the early morning madness
And the magic in the making
Yes, everything’s as if we never said goodbye

I don’t want to be alone
That’s all in the past
This world’s waited long enough
I’ve come home at last!

And this time will be bigger
And brighter than we knew it
So watch me fly, we all know I can do it…
Could I stop my hand from shaking?
Has there ever been a moment
With so much to live for?

The whispered conversations in overcrowded hallways
So much to say not just today but always…
We’ll have early morning madness
We’ll have magic in the making
Yes, everything’s as if we never said goodbye
Yes, everything’s as if we never said goodbye…
We taught the world new ways to dream!

Written by barryr22

December 7, 2010 at 8:49 pm

Somethings that Make Me Tear Up Everytime

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So, I’ll be honest with you. I’m a person who is pretty dead when it comes to being emotional in front of people. Part of this may be due to my raising because in the south boys aren’t supposed to cry. Part of it may also because I am just a person who understands that there is a time and a place for emotions. For example, I don’t think that everyone should share the dirty laundry of their break up with people that they might at best consider acquaintances. It’s just a thing. Perhaps, I suffer alone without rhyme or reason. I don’t know. However, I will continue to do such because it’s ingrained in my nature now.

There are a couple of things that get me every time though. Both of them are musicals. Like I mentioned in an earlier post, music is the great emotional manipulator in my mind. Why? It mixes the strong emotions of the world with music.

 I am a sucker for music. It is a great love of mine. I love music from classical to contemporary because it hits on so many levels within my psyche. It manipulates me like no person will ever be able to. I am a wimp when it comes to musical manipulation or surprises (don’t get me started on this…the end of Atonement , a movie, and Next to Normal, a musical).

The main things that get me are musicals. It’s because of the music. It’s the one thing that will get me time after time. It breaks down all the barriers and makes me feel at ease before it shatters the barriers that I put up to contain my emotional baggage.

Recently, there have been two musicals that have done this to me. Next to Normal and Les Miserables cause me much grief as I listen to the beautiful heartache that is contained within the melodies and harmonies of each. They each have a great overarching story that makes me sad (what with a bipolar mother and the effects on the family and the French Revolution). However, each of them presents their sad tale in the form of a musical drama. This is the worst/best part for me. I love the music of each musical (matter-of-factly, N2N is brilliant across the board musically).

They set me at ease and then take me into the depths of despair. They each leave me with hope and allow me to face emotions that I would never think about pouring myself into. They make me think which is pretty phenomenal for anything that is supposed to be as superficial and candied as a musical. I find myself starting to get into the action and feel with the characters every time with these two musicals. Quite frankly, I suggest that if you haven’t heard/seen them that you do so as soon as possible because they are an experience not to be trifled with.

Songs that Make Me Feel

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I don’t know how many people are out there like this, but music seems to be the only thing that can really get me emotionally when nothing else can. Today, I had my iPod on shuffle and songs from Les Miserables the Cameron Macintosh musical came on…I haven’t listened to the musical in awhile, so I left them on not knowing this would be an interesting decision about 5 miles down the road.

I don’t know how many of you know the musical, but it’s actually quite beautifully depressing…that would be the best way for me to describe it. In one scene, Fantine (who is now a prostitute after selling her locket and her hair because this is the only way she can support her daughter Cosette) is dying and hallucinates in her fever that she is talking to Cosette.

Lyrics to “Come to Me (Fantine’s Death)”
Fantine
Cosette, it’s turned so cold
Cosette, it’s past your bedtime
You’ve played the day away
And soon it will be night.
Come to me, Cosette, the light is fading
Don’t you see the evening star appearing?
Come to me, and rest against my shoulder
How fast the minutes fly away and every minute colder.
Hurry near, another day is dying
Don’t you hear, the winter wind is crying?
There’s a darkness which comes without a warning
But I will sing you lullabyes and wake you in the morning.

[Valjean enters.]

Valjean
Oh, Fantine, our time is running out
But Fantine, I swear this on my life

Fantine
Look, M’sieur, where all the children play

Valjean
Be at peace, be at peace evermore.

Fantine
My Cosette…

Valjean
Shall live in my protection

Fantine
Take her now

Valjean
Your child will want for nothing

Fantine
Good M’sieur, you come from God in Heaven.

Valjean
And none will ever harm Cosette
As long as I am living.

Fantine
Take my hand,
The night grows ever colder.

Valjean
Then I will keep you warm.

Fantine
Take my child, I give her to your keeping.

Valjean
Take shelter from the storm

Fantine
For God’s sake, please stay till I am sleeping
And tell Cosette Ilove her
And I’ll see her when I wake…

(Lyrics from http://www.lyricsdownload.com/les-miserables-come-to-me-fantine-s-death-lyrics.html)

View video of the Song below.

http://www.youtube.com/watch?v=FVkjhXEIEuU

The lyrics are poetry in themselves. The show in itself is beautiful and I would recommend it to anyone. I love the fact that music can break barriers that other media cannot breach. It makes me feel human.